* Images are for illustration purposes only

Olympus OMD EM1 with 12-50mm, 16mp, Tiltable Touch 3.0" LCD, WIFI Free OMD Bag

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Normal Price: RM4,999.00


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In The Box


Olympus Digital Mirrorless OMD EM1
- with M.ZUIKO DIGITAL ED 12-50mm f3.5-5.6 EZ Olympus Lens
Olympus Lens Cap
Olympus Rear Lens Cap
Olympus BLN-1 Rechargeable Lithium-ion Battery
Olympus BCN-1 Battery Charger for BLN-1
Olympus FL-LM2 Flash for E-M5 Digital Camera
Olympus USB Cable
Olympus Shoulder Strap
Olympus Viewer 3 CD-ROM
Olympus OMD Bag

* price valid until 31October 2015

Product Features

Olympus OMD EM1, M.ZUIKO 12-50mm 


Olympus OM-D E-M1 - Re-Imagined. Redesigned. Revolutionized.

The Olympus OM-D E-M5 unleashed a revolution in photography. The OM-D E-M1 is starting another. Stay on the leading edge of the imaging technology curve with the new OM-D E-M1. It embodies the revolutionary design elements that will send your imagination into overdrive. Full magnesium alloy body construction, an intuitive control layout with customizable direct control buttons, an interactive "best in class" large, easy to view, 1.48X viewfinder, and In-Body 5-Axis Image Stabilization combine to create one extraordinary photographic tool for professionals and serious photo enthusiasts alike, all in a portable, lightweight body. Powerful, yet ergonomic and comfortable to hold and carry.

The OM-D E-M1 is the new flagship Micro Four Thirds camera system in the OM line that’s as adventurous, imaginative, creative, fast and revolutionary as you are. So you can take amazing pictures from anywhere, anytime, under any conditions.

OI.Share IconOI.Share - Olympus Image Share
Stay on the Leading Edge of the Imaging Technology Curve

The ZUIKO LENS system was designed specifically to provide the best depictive power on digital cameras. The newly-developed TruePic VII image processor and new 16M Live MOS sensor maximize lens performance. These three cutting-edge technologies generate the highest image quality.

New 16M Live MOS sensor and newTruePic VII image processor

The combination of the newly-developed Live MOS sensor and TruePic VII result in even lower color noise at high sensitivities, and improved color reproduction. This technology helps reduce compression artifacts that occur easily during sudden scene changes when recording a movie.

New 16 M Live MOS sensor and newTruePic VII image processor

Fine Detail II included in the new TruePic VII image processor

Fine Detail Processing has been enhanced to suppress false colors and moire while maintaining high resolution. The camera uses lens and aperture information to apply just the right amount of magnification color aberration correction and sharpness processing for drawing out the full ability of the lens and providing natural, refined depiction and resolution. This camera is also equipped with low-passless compatible moire removing processing.

Comparison of magnification chromatic aberration compensation

Correctly compensates for chromatic aberration of magnification that differs depending on each lens.

Comparison of magnification chromatic aberration compensation

Comparison of sharpness processing

Optimal sharpness processing is applied according to the lens and aperture value

Comparison of sharpness processing

The ZUIKO LENS system's excellent depictive power

Performance of the SHG (Super High-grade) lens and M.ZUIKO PRO lens are maximized for expression of extremely high image quality. The new M.ZUIKO DIGITAL ED 12-40mm f2.8 PRO lens is the first model in the M.ZUIKO PRO series. You're sure to enjoy the depictive power of this new lens with dustproof and splashproof construction, excellent image quality, and high-performance.

High-speed, high-precision Dual FAST AF

High-speed, high-precision DUAL FAST AF

Dual FAST AF is made possible by Contrast detection AF and On-chip Phase Detection AF. On-chip Phase Detection AF is used when a Four Thirds lens is attached, and both Contrast detection AF and On-chip Phase Detection AF are used when a Micro Four Thirds lens is attached for high-speed, high-precision autofocusing.


81 point Contrast detection AF and 37 point On-chip Phase Detection AF

This model is also equipped with 81 point Contrast detection AF and 37 point On-chip Phase Detection AF for autofocusing on minute points in a wide area. Small Target AF carries out pinpoint AF, and Group Target AF can be specified for a larger AF area. The AF system, which incorporates On-chip Phase Detection AF, can also be used for comfortable use of Four Thirds lenses. This has excellent tracking performance, which is perfect for capturing photos of movie subjects.

Phase detection AF + Conrast detection AF
Phase detection AF + Conrast detection AF

37 point 
On-chip Phase Detection AF

Small Target AF area  Group Target
[Group Target]
[Small Target AF area]                    [Group Target]

81 point Contrast detection AF

Small Target AF area  Group Target
[Group Target]
[Small Target AF area]                   [Group Target]

Touch AF Shutter lets you instantly capture subjects just the way you want

This model is also equipped with Touch AF Shutter which boasts excellent response. Simply touch the subject on the rear monitor for intuitive shooting that exactly matches your intentions.

Touch AF Shutter lets you instantly capture subjects just the way you want

Approx. 6.5 fps*, 50 frame RAW sequential shooting

Approx. 6.5 fps*, 54 frame RAW sequential shooting

High-speed sequential shooting with AF tracking is available (at C-AF) with a maximum frame rate of 6.5 fps* and approximately 50 shots in RAW (continuous shooting time approx. 8 sec.). With this feature, you can continue tracking back and forth moving subjects such as people in sporting events or animals while enjoying high-speed sequential shooting. Sequential H enables high-speed sequential shooting at approximately 10 fps, making it possible to capture the wing beats of a bird. (The focus is locked at the first shot)

  • * When M.ZUIKO DIGITAL ED 12-40mm f2.8 PRO or M.ZUIKO DIGITAL ED 12-40mm f3.5-6.3 EZ are used

Super Spot AF makes it possible to pinpoint on minute subjects

Super Spot AF magnifies specified areas and autofocuses on points in the center of the frame only. Powerful image stabilization is activated during magnified display for a stable viewfinder image making it the perfect function for macro or telephoto shooting.

  • * Micro Four Thirds lens only

Super Spot AF makes it possible to pinpoint on minute subjects  Super Spot AF makes it possible to pinpoint on minute subjects

Small AF target

This camera is equipped with Small Target AF for reducing the AF target size. Because AF areas with a smaller surface focus area can be selected for each point, pinpoint focusing on even smaller areas is possible.

Small AF target  Small AF target

Face detection AF / Eye detect AF

Not only can this feature focus on faces, it can also automatically zoom for close-ups and focus on eyes. When the high-precision eye priority AF and e-Portrait functions for making skin look bringer and smoother are combined, they are perfect for quick and easy snapshot portraits in the city and for capturing shots of children. This allows you to focus on eyes for a natural expression and an easy shot. The E-M1 includes e-Portrait as a Picture Mode.

Face detection AF / Eye detect AF Face detection AF / Eye detect AF

Super large screen/super high-definition EVF

E-M1 Elegant design

 This camera is equipped with a 1.48x (35mm conversion: 0.74), super large screen and 2.36 million dot super high-resolution electronic viewfinder that rivals full-size DSLR models. Tracking of moving subjects is improved by reducing the switching time between the rear monitor and EVF, as well as an accelerated display (display time lag 0.029 sec.). Adaptive Brightness Technology is included for a natural view that is like an optical viewfinder, as well as LV Dynamic Range Expansion. Color Creator has been added to Creative Control, controls that are only possible on an EVF. EVF possibilities are increasing.

Adaptive Brightness Technology enables automatic backlight control

Due to the eye's adaptation to brightness, the EVF display image appears dark in bright locations, and appears bright in dark locations. Adaptive Brightness Technology is included to reduce visual errors resulting from these types of eye adaptations, automatically adjusting the EVF brightness. This function brightens the backlight in bright locations, and darkens it in darker locations, thereby preventing unnecessary exposure compensation due to visual errors, letting you shoot naturally and intuitively, just as when using an optical viewfinder.

In bright conditions

Brightness as seen by the naked eye  Traditional EVF (Appears bright) E-M1 EVF (Appears naturally bright)

Brightness as seen by the naked eye  Traditional EVF (Appears bright)          E-M1 EVF (Appears naturally bright)

In dark conditions

Brightness as seen by the naked eye  Traditional EVF (Appears dark)  E-M1 EVF (Appears naturally bright)

Brightness as seen by the naked eye        Traditional EVF (Appears bright)               E-M1 EVF (Appears naturally bright)                                                                                       

Expand Live View Dynamic Range (HDR display on the Live View)

When one of the in-camera HDR processing modes is selected (HDR1 is natural dynamic range expansion and HDR2 creates painterly images), the image equivalent to the one processed by the HDR1 mode can be displayed. This feature provides a view closer to optical viewfinders.

Color Creator lets you control colors as you feel

Using the newly added "Color Creator," you can express impressive scenes in an impressive way. Color Creator is added as part of the "Creative Control" feature that lets you control four functions necessary for image creation (composition, focus, tones and color) while looking through the viewfinder. It is completely different form conventional white balance compensation, and lets you dynamically control "hue" (30 steps) and "color saturation" (8 steps including the reference point).This feature lets you artistically express your feelings as a designer. That is "Color Creator".


Color Creator lets you control colors as you feel

Hue adjustment
Adjust hues in 30 steps
[Rotational direction = hue]


Color saturation adjustment: Explanation of reference point
Adjustment is carried out in 8 steps from +3 to -4
Vertical axis = color saturation
Color Creator lets you control colors as you feel

Color Creator lets you control colors as you feel
Original image
Hue: 0, Color saturation: 0
*This shot used a slight underexposure to bring out the texture of the buildings.

Color Creator lets you control colors as you feel
Changes to warm color
Hue: 4, Color saturation: 0
*Color fogging is suppressed while bringing out vividness.

Color Creator lets you control colors as you feel
Changes to cool color
Hue: 15, Color saturation: -1
*Produces a sense of transparency for a realistic atmosphere.

Color Creator lets you control colors as you feel
Change to monochrome
Hue: 6, Color saturation: -4
* The three-dimensional aspect of all sections is emphasized through the use of a red filter.

Other creative control features that stimulate your creativity and shooting accuracy.

Color Creator lets you control colors as you feel
Highlight & Shadow Control
The highlight and shadow parts can be adjusted in detail in an easy manner, which was not possible with conventional exposure compensation.

Color Creator lets you control colors as you feel
Multi-Aspect Control
This feature lets you frame your shot in an aspect ratio that you prefer.

Color Creator lets you control colors as you feel
Magnified Display Control
You can perform very precise focusing, which is not possible with an optical viewfinder.

Three user-selectable finder styles

You can choose one of the three finder styles such as the OM style. The finder magnification ratio of the OM style viewfinder has been improved by reviewing the GUI (1.3 x ). The OM style is also available when the eye sensor is turned off now.

Three user-selectable finder styles
Finder style 1

Instant switching between the EVF and the backside monitor

The eye sensor automatically switches the display between the EVF and LCD screen. The eye sensor automatically switches the picture to the EVF when you look at it and is done momentarily. That way, it guarantees stress-free shooting operation.

Small AF target

Convenient basic functions

Built-in Wi-Fi and OLYMPUS Image Share

Body design that provides both small size/light weight and high operability

It features Wi-Fi so that you can connect to OLYMPUS Image Share (smartphone application) to transfer images from the camera. In addition, you can add the GPS log of your smartphone to images in the camera. The wireless touch AF shutter allows you to shoot remotely using the smartphone.

Images can easily be transferred to a smartphone via Wi-Fi

You can easily share images just by touching the Wi-Fi button to launch the dedicated application.

Images can easily be transferred to a smartphone via Wi-Fi

The Wireless Touch AF Shutter that lets you take manual control of the camera with advanced settings using a smartphone.

The "Wireless Touch AF Shutter" lets you display the Live View on your smartphone and shoot remotely. This feature has been improved further in the E-M1. Now you can also select the shooting mode (P/A/S/M/iAUTO) and control settings such as the shutter speed, aperture, exposure compensation, ISO and white balance. Moreover you can use your smartphone to remotely control the Live Bulb shooting and sequential shooting.

The Wireless Touch AF Shutter that lets you take manual control of the camera with advanced settings using a smartphone.
Shooting Mode

The Wireless Touch AF Shutter that lets you take manual control of the camera with advanced settings using a smartphone.
Adjusting the shooting settings.

The Wireless Touch AF Shutter that lets you take manual control of the camera with advanced settings using a smartphone.
Live Bulb Shooting

12 art filters that expand your photographic expressions.

Art filters expand your artistic expressions. The new art filter mode "Diorama II" has been added to the E-M1. It uses the focus point as the central point and gradually blurs the left and right part of an image. This feature can provides the diorama effect for vertical panorama shots.

New Art Effect : Monochrome effectClose-up


Art Effects that make art filters even more fascinating

Art Effects make art filters even more fascinating. New "Blur Art Effect" that blurs the left/right or upper/lower part of the focus point is added to the E-M1. This effect can also be used for other art filters than Diorama to create a surreal miniature world. Moreover, you can use this effect in combination with the Eye Detection AF to blur the left/right or upper/lower part of an image using the focused eye as the central point to create a portrait image with an impressive depth of field.

Art Effects that make art filters even more fascinating

Close-upArt Filter : Pale and Light Color + Art Effect : Left and right defocusing in Diorama

Photo Story: New type of a photographic expression

Photo Story provides a new way of a photographic expression by collecting multiple usual everyday photos to create a story. You can combine multiple photos while accentuate compositions and colors just by touching the back panel to create art work. Three types of frames, namely, Standard, Fun Frames, and Speed are provided. This feature turns everyday photos into art work in a form that has never been done before. It is unique to OLYMPUS. We believe in the value of self-expression through photographs.

Photo Story: New type of a photographic expressionClose-up

Mechanical shutter with fast shutter speed (1/8000 sec.) and ISO LOW mode (ISO 100)

1/8000 sec. shutter speed and ISO LOW (equivalent to ISO100) settings are now available. Objects with very rapid movement can be captured as a still image with the faster shutter speed. The wide aperture of fast lenses can also be used during day time without an ND filter to take photos with a beautiful defocused background.

New Art Effect : Monochrome effect
ISO=200 f=1.8 S=1/8000sec

High-Speed Release Time Lag Mode that provides a very quick response

Equipped with Short Release Time Lag Mode, which reduces the release time lag. It is very effective when shooting rapidly moving objects.

  • * The minimum time lag when the release mode is "Short" and the image stabilizer is turned off during half-pressing is approximately 0.044 sec.
  • * The number of maximum shots is reduced by about 60 (based on CIPA standards).

Live Bulb

The live view screen is updated at a set interval during exposure. There are two modes: Live Bulb opens the shutter while release button is pressed and Live Time opens the shutter on the first push and closes it on the second push. During Live Bulb mode, the exposure time and histogram are displayed on the screen. When the Bulb/Time shooting mode is selected, the backlight is automatically dimmed to reduce the power consumption and brightness.

Live Bulb

Interval Shooting/Time Lapse Movie

The interval shooting feature lets you capture blooming flowers, the flow of people and the movement of stars from the fixed point. It automatically performs continuous shooting once you set the number of total shots and the interval (from one second to 24 hours). Also, it can automatically create a time-lapse video from the captured images.* The maximum length of the video is 100 sec. (when 999 shots are taken). This feature lets you create a stop-motion like video from continuous shots.

* Can be recorded only in Motion JPEG format (10 fps).

Interval Shooting/Time Lapse Movie

Focus Peak lets you take snapshots with MF lenses easily

Sharp edges in the image are highlighted in black or white to let you see which part of the image is being focused. The faster display speed provides better usability. You can assign this feature to one of the buttons to show/hide the peaking indication with a single press of the button, so that you can easily check both focus and composition. You can also assign the display magnification feature to another button to check the focus more accurately and switch between the peaking indication and magnified display freely. Moreover, by combining this feature with the 5-axis image stabilization feature, you can take snapshots with MF lenses with incredible ease.

Focus Peak lets you take snapshots with MF lenses easily  Focus Peak lets you take snapshots with MF lenses easily

With Focus Peak                                                        Without Focus Peak

Two HDR shooting modes and HDR-BKT

The camera takes four shots with different exposures during one shutter release and performs HDR processing to create an HDR image. Two modes are available: the HDR1 mode provides naturally expanded dynamic range, while the HDR2 provides artistic, painterly images. If you prefer to perform HDR processing on your PC, the HDR bracket feature that lets you capture multiple brackets is also available as before.

*The ISO is fixed at 200 in HDR shooting mode.

Two HDR shooting modes and HDR-BKT

HDR1 : Generates natural textures in images

HDR1:Generates natural textures in images  HDR1:Generates natural textures in images

HDR2 : Generates painting-like, highly artistic photos

HDR2:Generates painting-like, highly artistic photos.  HDR2:Generates painting-like, highly artistic photos.

Hand-Held Starlight shooting mode

The handheld night scene mode has been added. In this mode, the camera takes 8 shots during one shutter release to create a composite image with less noise.

Hand-Held Starlight shooting mode  Hand-Held Starlight shooting mode

One Push 2x Digital Converter

It provides a telephoto effect simply by magnifying the central part of an image two times. You can use it very easily, for example, by assigning it to the Fn button. Thanks to the advanced image compensation performance of the image processing engine, up to 1200mm (in 35mm terms) of telephoto shooting is possible (when the M.ZUIKO DIGITAL ED 75-300mm F4.8-6.7II is used).

One Push 4x Digital Converter  One Push 4x Digital Converter

Full HD Movie

The full HD video shooting feature lets you use techniques unique to DSLRs such as lens characteristics and defocusing the background. It provides smooth beautiful images and high-quality stereo recording features. Since the touch AF can be used in this mode, you can freely change the focus point as you like.

Full HD Movie

  • * Using memory cards with an SD Speed Class 6 or better is recommended for recording movies.
  • * The image is enlarged by a small amount if image stabilization is used during video shooting. Too much camera shake may not be compensated.

Movie Effect

The Movie Effect feature adds effects to HD videos. Multi Echo creates motion trails. One Shot Echo captures the image when the button is pressed and shows it as a trail. Art Fade lets you shoot a video with the effect of the selected picture mode. Movie Tele-converter magnifies a given part of the image by 4 times in an instant moment. Any of these effects can be operated by touching the screen.

Movie tele-converter: Switch with a single touch while recording a movie

Movie Effect  Movie Effect

Touch the location to magnifyMagnification with virtually no image degradation

"Dial Myset" / "Button Myset" let you customize settings according to your shooting style

You can create up to 4 mysets and assign them to any of the modes on the dial. By allocating the mysets to mode dial positions with low frequency of use, you can customize the mode dial according to your favorite shooting style. Moreover if you register a myset with a button such as Fn button, you can recall the myset with a single press of the button.

Digital Level Gauge

The tilt and horizontal directions level meters can be displayed. They are useful when there is no horizontal line in the frame or the screen is too dark to check the composition. Major parameters such as the aperture and shutter speed can also be displayed together with the level meters. You can also replace the exposure indicator with the level meter display* during the half shutter button (one axis).

* Only with finder styles 1 and 2.

Digital Level Gauge

Tilting LCD monitor

Equipped with a tiltable touch panel LCD monitor with high color reproducibility and contrast. The monitor is a capacitance touch panel coated with fingerprint resistant finishing and has very good response. It can be tilted upward to 80 degrees and downward to 50 degrees. It gives you more shooting chances, for example, a high-angle shooting is useful when taking photos in a crowd (e.g. sports event) and a low-angle shooting is useful for taking photos of children and pets. Because the eye sensor is automatically turned off when the back monitor is pulled out, you can now perform touch shooting more easily.

Tilting LCD monitor

OLYMPUS Viewer 3 enhances your work flow in the digital domain

Numerous settings (for example, Color Creator and Highlight & Shadow Control settings) set during shooting can be reflected when processing RAW files with OLYMPUS Viewer 3. You can also use OI.Share (smartphone app) to use GPS tags attached to photos to map the photos and display your logs.

OLYMPUS Viewer 3 enhances your work flow in the digital domain


  • - The photo is for illustrative purposes only.
  • - Product availability depends on sales areas.


Product Specification

Olympus OMD EM1, M.ZUIKO 12-50mm 


Olympus OM-D E-M1 - Re-Imagined. Redesigned. Revolutionized.


Product TypeProduct type Micro Four Thirds interchangeable lens system camera
Memory SD Memory Card*1 (SDHC, SDXC, UHS-I compatible, Eye-Fi Card compatible*2)
*1. Class 6 or higher is recommended for Movie shooting.
*2. Not compatible with Endless Mode.
Screen size 17.3 mm (H) x 13.0 mm (V)
Lens mount Micro Four Thirds Mount
Image Pickup UnitProduct type 4/3 Live MOS Sensor
Number of pixels Number of effective pixels: Approx. 16.3 million pixels,
Total number of pixels: Approx. 16.8 million pixels
Aspect ratio 1.33 (4:3)
Dust reduction Supersonic Wave Filter (dust reduction system for image sensor)
Recording(Still)Recording format DCF, DPOF compatible / Exif, PRINT Image Matching III, MPO compatible
File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO (3D still)
Recording image size [RAW] 4608 x 3456 pixels, [JPEG] 4608 x 3456 pixels - 640 x 480 pixels
Stabilization System
Type Built-in (Image sensor shift type for movie & still, 5-axis* image stabilization) 
* Yaw / pitch / vertical shift / horizontal shift / rolling
Mode 4 modes (S-I.S.AUTO, S-I.S.1, S-I.S.2, S-I.S.3), OFF

Stabilization performance: 4 EV steps* (with M.ZUIKO DIGITAL ED 12-50mm f3.5-6.3 EZ, focal length: 50 mm (equivalent to 100mm on 35mm camera)
* Based on CIPA measurement conditions.
IS for finder image Available (by half-pressing the shutter button or enlarging operation)
length setting
Available / Available
Electronic ViewfinderFinder type Eye-level electronic viewfinder, approx. 2.36M-dot (optional VF-2/VF-3/VF4 electronic viewfinder mountable)
Field of view Approx. 100%
Approx. 1.30x*1 - approx. 1.48x*2 (-1m-1, 50mm lens, infinity) 
*1: at Finder Style 1, 2 (aspect 4:3) 
*2: at Finder Style 3 (aspect 4:3)
Eye point Approx. 21 mm (-1m-1, distance from rear lens surface)
adjustment range
-4 ~ +2m-1
Preview Available with Live Preview function button
Displayed Grid -
Level Gauge 2-axis level gauge; horizontal/vertical (1-axis level gauge available with half-pressing shutter release button (Finder Style 1, 2)
Finder Style Selectable from 3 types
Brightness Available
temperature control
EyeCup Optional eyecup EP-13 is available.
Live View Approx. 100% field of view, Exposure compensation preview, WB adjustment preview, Gradation auto preview, Face detection preview (up to 8 faces), Grid line, Histogram, Magnification display (x5/x7/x10/x14), Normal, Highlight & Shadow, Level Gauge, Off
MonitorMonitor type Tilting wide monitor* * Touch control in electrostatic capacitance type
Size 3.0 inch
Total no. of pixels Approx.1037k dots
Brightness control 
/ Color balance
±7 levels / ±7 levels
Color tone select Vivid, Natural
FocusingAF system High-speed imager AF (Contrast detection/Phase-difference detection)*
* Phase-difference detection AF when Four Thirds lens is mounted with optional mount adapter.
Focus mode Single AF (S-AF), Continuous AF (C-AF), Manual Focus (MF), S-AF + MF, AF tracking (C-AF + TR)
* Works as MF mode during movie recording when Four Thirds lens is mounted.
Full-time AF Available* 
* Not available when Four Thirds lens is mounted.
Magnified frame AF Selectable from over 800 AF points. Enlarged view check by magnify button (available with old lenses*1), Magnification x5, x7, x10 (Default),
x14 selectable 
*1 Old lenses without data communication / Super spot AF, Focusing possible in approx.
0.16 ? 0.02% of image screen*2 
*2 Only when Micro Four Thirds lens is mounted.
Face detection AF / Eye detection AF Available / Available*, Eye Detection AF mode: Off, Nearer-eye priority, Right-eye priority, Left-eye priority 
* Face (eye) detection
AF is not available when the face is detected in the area out of phase-difference detection AF area with Four Thirds lens is mounted.
Focusing point 81-area*1 multiple AF (Contrast detection AF), 37-area
*2 multiple AF (Phase-difference detection AF)
Focusing point selection All target, Group target area (9-area), Single target (Standard Target Size/Small Target Size) 
*1 When Micro Four Thirds lens is mounted. *2 When Four Thirds lens is mounted.
AF illuminator Available
Manual Focus Assist
* Customize function
Live view image is magnified when the focus ring is rotated. (at S-AF+MF or MF mode) * Customize function
Peaking function Available (White edge type, Black edge type) Peaking indication is displayed by the customize function (Fn button, etc.) or by rotating the control ring.
Control (Still)
Metering system
(TTL Image sensor metering)
Digital ESP metering (324-area multi pattern metering), Center weighted average metering, Spot metering, Spot metering with highlight control,
Spot metering with shadow control
Metering range EV -2 - 20* (at normal temperature, 17mm f2.8, ISO 100) 
* At Standard frame rate, EV 0-20 at High-speed mode.
Exposure mode iAuto, P: Program AE (Program shift can be performed), A: Aperture priority AE, S: Shutter priority AE, M: Manual, Bulb, Time, Scene select AE, Art Filter,Underwater wide/macro*1, My set*1 *2
*1 Selectable from menu as a function on customize function (Fn button, etc.) *2 My set can be set to mode dial function.
Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv., 3D* * 3D lens (H-FT012 by Panasonic) only, still only.
ISO sensitivity AUTO ISO L - 1600 (Default), upper limit customize available 200 - 25600, Manual ISO L, 200 - 25600, 1/3 or 1 EV steps selectable
Exposure compensation ±5 EV in 1/3, 1/2, 1 EV steps selectable
AE lock Locked at 1st release of shutter button (can be set to Fn1/Rec button)
ShutterProduct type Computerized focal-plane shutter
Shutter speed 1/8000 - 60 sec. (1/3, 1/2, or 1EV steps selectable), Bulb/Time: default setting 8min. (1/2/4/8/15/20/25/30 min. selectable)
FlashBuilt-in flash No. Special external flash is bundled.
Bundled flash FL-LM2
G.No GN=7(ISO100•m) / GN=10(ISO200•m)
Flash mode Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1(FULL) - 1/64)
Synchronization speed 1/320 sec. or less*
* It depends on flash models or flash mode FL-LM1/2: 1/320 sec., Other: 1/250 sec., 
Super FP: 1/125-1/8000 sec.
Flash intensity control Up to ±3 EV in 0.3, 0.5, 1 EV steps selectable
Compatible external flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R
Wireless flash controlCompatible external flash FL-50R, FL-36R, FL-300R, FL-600R
Control method Triggered and controlled by built-in flash (FL-LM2)* 
* Available on FL-LM1/FL-600R. (Olympus Wireless RC Flash system compatible)
Number of channel 4 channels
Group setting 4 groups (External flash 3 groups + a bundled flash*
* Available on FL-LM1/2 / FL-600R
DriveDrive mode -
Sequential shooting speed [Sequential shooting H mode]* 10.0 fps* in case of 'I.S. OFF'
* Focus and exposure are fixed at the values for the first shot.
Sequential shooting L mode] 6.5 fps* in case of 'I.S. OFF' 
* When using the M.ZUIKO DIGITAL ED 12-50mm f3.5-6.3 EZ, M.ZUIKO DIGITAL ED 12-40mm f2.8 PRO
Max. recordable pictures on sequential shooting [RAW] Max. 50 frames (in seq. shooting L), Max.41 frames (in seq. shooting H) [JPEG] Max. card full frames (in seq. shooting L),
Max. 95 frames (in seq. shooting H) * When using the M.ZUIKO DIGITAL ED 12-50mm f3.5-6.3 EZ.
* With TOSHIBA SDHC UHS-I card based on Olympus in-house measurement conditions.
Self-timer Operation time: 12 sec., 2 sec., custom (Waiting time 1-30sec., Shooting interval 0.5/1/2/3sec., Number of shots 1-10)
BracketingExposure bracketing 2, 3 or 5 frames in 0.3/0.7/1.0 EV steps selectable, 7 frames in 0.3/0.7 EV steps selectable
ISO bracketing 3 frames in 0.3/0.7/1.0 EV steps selectable
White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Flash bracketing 3 frames in 0.3/0.7/1.0 EV step selectable
Art Filter bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable
HDRHDR (Automatic Overlay) HDR1, HDR2 * Available in P/A/S/M mode, Take 4 pictures at different exposures composite into a high contrast image.
* HDR picture cannot be made by this function.* HDR function can be called by Fn-button.
Bracketing for HDR post-process 3 or 5 frames in 2.0/3.0 EV steps selectable, 7 frames in 2.0 EV step.
Art FilterMode Pop Art (I, II / a.b.c.d.e), Soft Focus (- / c.e), Pale & Light Colour (I, II / a.b.c.d), Light Tone (- / d), Grainy Film (I, II / b.c.d.f.g), Pin Hole (I, II, III / d.), Diorama (- / d.), Cross Process (I, II / b.c.d.), Gentle Sepia (- / a.b.c.d.), Dramatic Tone (I / b.c.d.e) (II / b.c.d.e.f.g), Key Line (I, II / a.b.c.d.e.), Water Colour (I, II / a.c.d.)
Variation / Effect a. Soft Focus Effect, b. Pin-Hole Effect, c. White Edge Effect, d. Frame Effect, e. Star Light Effect, f. Defocus Effect (vertical, horizontal),
g. B&W Effect (Yellow, Orange, Red, Green), h. Pict. Tone (None, Sepia, Blue, Purple, Green)
Photo StoryType Standard (I, II, III, IV / a, b, c, d, e, / A, B, C, D) / Fun Frame (I, II, III / - / -), Speed (- / c / A, E, F)
Frame Effect a. White Frame, b. White Frame & White Edge Effect, c. Black Frame, d. White Frame & Pin Hole Effect
Aspect & Window Pattern A. 4:3, 2 frames, B. 4:3, 3 frames, C. 1:1, 2 frames, D. 1:1, 3 frames, E. 1:1, 4 frames, F. 16:9, 5 frames
Recording format MOV* (MPEG-4 AVC/H.264), AVI (Motion JPEG)
Movie Mode [MOV] Full HD: 1920 (H) x 1080 (V), 30p (29.97 fps) Recording, 24 Mbps (Fine) / 16 Mbps (Normal), Aspect 16:9
HD: 1280 (H) x 720 (V), 30p (29.97 fps) Recording, 12 Mbps (Fine) / 8 Mbps (Normal), Aspect 16:9
[AVI Motion JPEG] HD: 1280 (H) x 720 (V), 30 fps*, Aspect 16:9, SD: 640 (H) x 480 (V), 30fps*, Aspect 4:3 
* Excluding some Art Filters
Recording Time
[MOV] Full HD: Approx. 29 min (Normal) / Approx. 22 min (Fine), HD: Approx. 29 min (Normal) / Approx. 29 min (Fine)
[AVI Motion JPEG] HD: Approx. 7 min*, SD: Approx. 14 min* 
* Excluding some Art Filters
One-push Movie Digital Conveter x 4 Available on Movie effect mode
TimeLapse Movie Available (AVI Motion JPEG, 1280 x 720, 10fps)
Movie function Movie Effect*: One-shot echo / Multi-echo / Art fade * Default ON
Art Filter Movie, Aperture Priority Movie, Shutter Speed Priority Movie, Manual Shot Movie
IS for Movie Built-in (Image sensor shift type image stabilization) M-I.S ON (multi-motion IS using image sensor shit type image stabilizer), Off
* Angle of view varies. IS lens priority available.
AE Lock Available
File size MOV Format: Max 4GB, Motion-JPEG Format: Max 2GB
Recording format Wave Format (Stereo linear PCM / 16-bit, Sampling frequency 48kHz)
Stereo / Mono * External stereo microphones can be attached.
Recording Time
Microphone function Wind Noise Reduction*, Recording level adjustment, Audio dubbing possible for still pictures (up to 30 sec.)
* Sound quality slightly different from normal recording.
White BalanceWhite Balance mode Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB (Kelvin setting)
Preset white balance -
White balance compensation ±7 steps in each A-B/G-M axis 
* Except for Custom WB
Color Mode sRGB, Adobe RGB
Picture ModeMode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Colour Creator, Art Filters
Gradation Auto, Normal, High key, Low key (except Art Filters)
Interval Mode 1 - 999 frames*, Interval time 1 sec. - 24 hours, Time-lapse movie available.
Multi ExposureNumber of picture 2 frames
Functions Auto gain, Exposing on Recorded picture (RAW)
Multi Aspect 4:3 (Default) / 3:2 / 16:9 / 1:1 / 3:4
Level Gauge 2-axis
One push Tele-converter x2
Wi-Fi FunctionGPS info. Function Available (by using Smartphone GPS data)
Wireless Shooting Remote Live View, Remote Rec view, Wireless touch AF shutter, Self-timer shutter (with count-down sound),
Remote Power off (iAuto/P/A/S/M, Live bulb/time available. Setting for control aperture, shutter speed, exposure compensation, ISO sensitivity,
White balance, Sequential shooting possible. Up to 1 device can be connected.) * Shooting function by the smartphone.
Image Share Images to be transferred to smartphone can be reserved. Up to 4 devices can be connected simultaneously. * File type: JPEG (except MPO), MOV
Easy Connection Smart & Easy Connection by QR code.
PlaybackPlayback mode Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Slide show (with sound including BGM), Picture rotation (auto), BGM replace function, Light Box display
Histogram (independent luminance / RGB available), Highlight / Shadow point warning, AF frame, Photographic information, OFF
Menu 34 languages selectable
Reset & Custom Setting 4 settings recordable / Available on allocating to mode dial.
Image Editing RAW development, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post-recording
Print Print reservation (DPOF), Direct print (PictBridge compatible)
Input/OutputUSB/Video connector,
Remote cable
Dedicated multi-connector (USB: USB2.0 Hi-Speed, Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 compatible)
HDMI connector Micro HDMI (Type-D)
Flash attachment Hot shoe/synchro terminal
Accessory attachment Dedicated multi-connector (for VF-2/VF-3/VF-4, SEMA-1, MAL-1 and PP-1.)
PC interface -
TV interface -
DC-in -
Wireless LAN / Microphone input Built-in (IEEE 802.11b/g/n) / 3.5 mm dia. stereo minijack
Power RequirementsBattery BLN-1 Li-ion battery (included)
Power battery holder Optional HLD-7 Power Battery Holder (BLN-1 x 1)
AC adaptor Optional AC-3 AC Adapter*
* Can be connected to E-M1 via HLD-7 Power Battery Holder.
Sleep mode Available (1/3/5 min. off)
No. of recordable pictures -
Dimensions 130.4 mm (W) x 93.5 mm (H) x 63.1 mm (D) [CIPA guideline compliant, excluding protrusions]
Weight Approx. 497 g [CIPA guideline compliant, with BLN-1 battery and Memory card], Approx. 443 g [body only]
Operating EnvironmentTemperature -10 - +40°C (operation), -20 - +60°C (storage)
Humidity 30 - 90% (operation), 10 - 90% (storage)
  • * Specifications and design are subject to change without notice.
  • * The photo is for illustrative purposes only.
  • * Product availability depends on sales areas.
  • * Color availability depends on sales areas.
  • * "HDMI", the HDMI logo and "High-Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing, LLC.
  • * Eye-Fi, the Eye-Fi logo and Eye-Fi connected are trademarks of Eye-Fi, Inc.
  • * "Wi-Fi" is a registered trademark of the Wi-Fi
  • HDMI Eye-Fi Wi-Fi

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